Up in the Air Review (2010)




With the global situation of penury and folding up, it is surprising that more movies are not made on the human element of people getting laid off from their jobs. When you think of it, any director would eat up the idea of capturing the scenario of two people sitting at a table, one who has just lost everything and one who is about to inform him or her that they have lost everything. That twitching, those subtle nuances. Which dialogue writer would not want to give some powerful and thought provoking dialogue to the scene? 

Well, it may be that such movies were not made during that time as they'd be criticized to be milking the global scenario, but now that such a movie is made, we can only be too happy that the movie rests on the able charismatic shoulders of George Clooney. 

Cast:
  • George Clooney as Ryan Bingham, a career transition counselor
  • Vera Farmiga as Alex Goran=
  • Anna Kendrick as Natalie Keener
  • Jason Bateman as Craig Gregory, owner of Career Transition Counseling
  • Amy Morton as Kara Bingham, Ryan Bingham's older sister
  • Melanie Lynskey as Julie Bingham, Ryan Bingham's younger sister
  • Danny R. McBride as Jim Miller, Julie's husband
  • J. K. Simmons as Bob, a fired employee
  • Sam Elliott as Maynard Finch, Chief Pilot
  • Zach Galifianakis as Steve, a fired employee
Plot:

Ryan Bingham (George Clooney) is a so called career transition counselor who is the answer to every entrepreneur's, small business owner, or even the basic HR's question during turbulent times - who's gonna fire him/her?

The movie shows us that Ryan has someone closed himself up to the down right brutal job that he does, by concentrating more on the flying miles that he collects, which he can because his job has him traveling more than two hundred and fifty days in a year.  During his travels, Ryan meets someone who is quite similar to him, a frequent traveler who spends more time at the airport than at home. 

Things seem to be settled and even moving ahead when he is called back one day to the office and introduced to Natalie Keener, the newest employee/consultant in their company, who has come up with the revolutionary concept of firing people over the Internets, thereby saving a lot of revenue for the company and adding some padding to their already fat pockets.

Of course, Ryan does not take kindly to this, and like every other corporate scenario, the boss tries to keep both of his best resources by teaming them together - which creates an unlikely alliance of the veteran, hard as nails Ryan and the comparatively new Natalie, who has grown up in a generation which has understood that 'hiding behind the screen' is the best way to hide from unlikely and uncomfortable circumstances. 

As Ryan and Natalie go through the countryside firing people, they become friends and even confidantes, as both of them begin realizing that different people live different kinds of lives, and have to question some of their decisions which they have come to live with. 

Up in the Air Review:

Coming from the best in Hollywood, Up in the Air works on many fronts. First of all, it is a brutal, frank look at the very business of firing people, some who did not have any idea what hit them, to some who had a better idea of what was happening. Of course, the movie does show only one small percentage of the workforce as their main chunk, the people who were working really hard, in their middle age, and did not know what to do now. 

There are, of course, those youngsters who still considered their jobs a picnic, while then there are those who have definite plans with their jobs, with the low paying jobs just yardsticks that they have to cross in their 30 year old career, or even those people who were about to quit this evening because they had hit something good. Not that it takes anything away from the movie, but it would be more realistic and believable if all aspects of the corporate world were shown. 

The film basically rests on the acting caliber of George Clooney, Anna Kennick and Vera Farmiga, and the three take all of us on an endearing, emotional and contenting journey through this big, sarcastic beast that is called living. 

Almost every frame of the movie is a high point, and this review would have to give you the entire synposis of the movie if it were to tell you about the high points in the movie. Of course, the clips of people being sacked that come up during the journey are quite rattling. If you have seen horror movies, you would be surprised to feel that 'what happens now' gut feeling when the old man is fired using the video conferencing technology and he spends some time crying in the room. You are almost waiting for the poor guy to have an heart attack and put an end to this glaring madness that has been blown apart by this romantic comedy.

The film works on various aspects and is too many stories rolled in one. It's the story of a person who doesn't like to call home, home, to the story of a young turk who may look strong and gritty but is someone who has lime and soda with vodka as she cries over her boyfriend quitting on her. The film is also a story of a woman who delves into her job not because her husband is a wife beater or her kids are drug addicts, but simply because she is someone who likes adventure. 

And above all, it is the story of a dysfunctional, broken family that comes to terms with their values at a brief reunion of a younger sister's marriage. Watch this fare.

To Baat Pakki Review (2010)

  
 
 Cast and Crew:

Producer : Ramesh S. Taurani, Kumar S. Taurani
Executive Producer : Rahila Mirza, Jay Shewakramani
Co-Producer : Paul Reynolds, Jay Shewakramani
Director : Kedar Shinde

Cast : Sharman Joshi, Tabu, Yuvika Chaudary, Vatsal Seth, Ayub Khan
Music Director : Pritam Chakraborty
Lyricist : Sayeed Quadri, Mayur Puri, Shabbir Ahmed
Dialogue Writer : Vibha Singh
Screenplay Writer : Vibha Singh
Editor : V. N. Mayekar
Art Director : Shailesh Mahadik, Sheetal Kanvinde
Choreographer : Ahmed Khan
 
When one of India's and I presume Asia's most versatile actress makes a sort of comeback to the silverscreen, there is a category of filmdom that is abuzz with anticipation and activity. A few weeks ago, when the rushes of Toh Baat Pakki were released, it was understood that Tabu would be the star of the movie, with the rest of the cast being quite supporting, except for Sharman Joshi. So basically, this movie was a battleground for the acting chops of Sharman Joshi (Rang De Basanti) and Tabu (Chandni Bar, Hu Tu Tu) etc. 

Plot:
Tabu plays the role of the common housewife, whose husband has a government job and a old car that is almost a family heirloom.  She has an eligible sister, who she is looking to get married to 'the one who has the most money'. Now, like every Indian housewife, it is Tabu who has to look for the rightful groom for her sister. 

As luck would have it, Tabu meets not one, but two eligible bachelors, both of whom fall for her sister almost immediately.  While Tabu arranges the marriage with Rahul (Sharman Joshi,) she meets  Yuvraj Saxena (Vatsal Seth), another eligible bachelor whom she thinks will fit well for her sister, Nisha (Yuvita Chaudrary), simply because he has a permanent job at Godrej, will be getting a bungalow at the end of the year, and has a good salary. The rest of the movie works on how Tabu undoes what she has set with Sharman Joshi and his sister.

Of course, Sharman Joshi is not someone who would just let his bride to be go off with someone else, and he tries to sabotage the wedding in his unique ways. The antics that he carries out trying to sabotage the wedding are quite cute, and you remember (just remember) the antics of the old school movies like Priyadarshan or Hrishikesh Mukherjee.

To Baat Pakki Review:

The movie comes across as a fresh breath in the view of the movies that are becoming staple Bollywood fare. However, debutante director Kedar Shinde falls short of what a Priyadarshan or Hrishikesh Mukherjee movie would be. 

Sharman Joshi acts well, but he still does not have the screen presence of an Amol Palekar, Amitabh Bachchan or even Akshay Kumar. Of course, his enthusiasm is quite visible, but he still does not have the chops to become 'the protagonist'.

The movie itself has a fabulous flaw, which basically makes the movie difficult to digest, the very fact that no Indian family would allow a person who was actually supposed to marry the woman to be even in the part of the wedding, leave alone the wedding preparations, if there have been some problems that have brought about a change of plan. 

Also, something that  stands as a sore thumb is the dialogue, where people normally regard kids as 'balak' with the common 'Hum' and 'Tum' for 'you' and 'me'. The movie is saccharine sweet, but neither does it warm your heart, nor does it come across as a thought provoking fare - it's just a movie that does not touch you.

Karthik Calling Karthik Music Review

Bollywood music has always taken inspiration from Hollywood music, be it Bappi Lahiri or Anu Malik. In fact, we have been ridiculed for our music from the '80s and the '90s, which were basically rehashes of hits like Bangles, Thriller, etc. Even in the late '90s, we had movies that blatantly copied from the latest chartbusters. With A R Rahman winning plaudits for his movie, we hope that this will change. 

Also, it is a refreshing change when we actually see the latest music directors trying not to copy foreign music, but actually create something that is in tandem with the quality of global music. Karthik Calling Karthik music is a refreshing, zingy album that remains with you not because it is revolutionary or something, but just because it endeavors to do something different as compared to the other music albums.  The entire album has a retro feeling that piddles into modern music now and then, creating an awesome sync for those Mp3 players and iPods of today.

However, remember that the album does not have that one song that would take the nation by storm,with Jaane Yeh Kya Hua being just another diamond in this diamond studded album.

All the tracks have a discoish feeling to them, with some of them actually going into the realms of trance. The vocals are very different from what we see in our 'local' music, and this album will be playing in several car decks for a long time to come. Shankar Ehsaan Loy have again come up with a successful album that really peps you up before your work day. 

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